Heart of Perdition by Selah March

Rating:

***

The book's description from the publisher:

As the nineteenth century draws to a close, James Weston, Earl of Falmouth, is dying along with it. Despite living in an age of airships and automatons, even London's finest physicians cannot cure the young man's ailing heart. His last hope lies in retrieving a powerful artifact from the remote island home of an eccentric scientist's daughter.

Elspeth Shaw prefers her solitary life to the tragic results that come from mixing in society. Elspeth is cursed: every mortal being who forms an attachment to her dies a horrible death. Yet when the doomed Lord Falmouth arrives in search of the very artifact that blights her, she hasn't the will to refuse. But the price for cheating death may be more than any human can pay...

Despite my slight misgivings about Heart of Perdition being a novella (which I didn't know at the time of requesting this title), I was surprised to actually like this story. Thankfully, there aren't many characters introduced in here and therefore, it's easier to for a reader to fully acquaint her/himself with the ones that are. Also there is only one plotline, which works nicely in the format Ms. March chose to write her first piece. Since I'm not an expert on novellas and short fiction, I can't fully judge how well or not was Heart of Perdition written to fit this format. From a personal standpoint, it worked for me to like it but it's also the reason why I gave it three stars, instead of four. I prefer to read rather longish novels in which I can truly lose myself for days on end and it wasn't really possible with this story where things ended before they truly even begun. Not that there wasn't any action happening.

Heart of Perdition is a combination of genres: steampunk, romance and horror. I enjoyed it the most of all the sides to this novella. Steampunk is a fairly new genre for me but I appreciated how it made the background of the world James and Elspeth lived in that much more fun. I suppose it's given an old Gothic tale a new twist. Heart of Perdition did seem to me to be an atmospheric, strange tale reminiscent of the Gothic tradition and especially of The Picture of Dorian Gray. And before anyone cries 'foul!', I am in no way comparing the two or putting them in the same category. I'm merely saying that Ms. March's debut has some elements (including the effects of the artifact) that can be traced back to the Oscar Wilde's classic.

If you're up for some fun read that's quick, with a dose of chill and a pinch of romance, I think Heart of Perdition is something you should look into. It's not badly written at all and the tale doesn't end here either because the author is already working on part two. As a matter of fact, the story is intriguing enough and the writing is promising enough for me, that I wish it were a full length novel and I hope that Selah March will one day make a transition into the novel category. 

FTC: I received this ebook galley from the publisher, Carina Press via NetGalley.

The Samurai's Garden by Gail Tsukiyama

Rating:

*****

The book's description from Goodreads:

The daughter of a Chinese mother and a Japanese father, Tsukiyama uses the Japanese invasion of China during the late 1930s as a somber backdrop for her unusual story about a 20-year-old Chinese painter named Stephen who is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight. Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy. 


The only other book by Gail Tsukiyama I've read is The Street of a Thousand Blossoms (which I loved), and even though The Samurai's Garden is significantly shorter both in number of pages and in scope, it still contains just as much beauty and tenderness. Within the mere 200 pages, I came to care deeply for Sachi and Matsu, and even Stephen. It felt as if I've accompanied them throughout the bigger part of their lives and I still wanted to stay with them for just a little bit longer. There's not much, if any, action in this novel but it's not the kind of book you'd want any quick plot to reside in. There's no need for that. The Samurai's Garden is instead what we all need in our lives sometimes, a slowing down, an almost poetic meditation on the beauty of life and the world around us and within us. Therefore, if you're looking for a quick storyline, find something else to read because you won't find it in here.

Ms Tsukiyama has an uncanny insight into a human being's nature and it shows in this little book perhaps even more than in The Street of a Thousand Blossoms. It's amazing how she can pinpoint our yearnings and our cruelty in a brisk prose that comes as close to poetry as it gets (and even though I don't read poetry, The Samurai's Garden afforded me a glimpse of what I imagine people who love poetry feel when they read their most beloved pieces).

If I had any doubts as to whether I should put Gail Tsukiyama on my 'go to' and 'in case of emergency' lists of authors, I have none anymore. Reaching for The Samurai's Garden and finding my enthusiasm for reading coming back to me again after I'd worried greatly that another major reader's block fell upon me, dispelled all my doubts.

_____________

Gail Tsukiyama has written quite a few more books which makes me all the happier, as now I have many more days and weeks to immerse myself in her fantastic writing. You can learn about them on the website dedicated to the author. 

I am also very happy to announce to any fans (present and future) that Ms Tsukiyama has another novel, A Hundred Flowers, coming out in August from St. Martin's Press.

Me and You by Niccolo Ammaniti, translated by Kylee Doust

Rating:

****

The book's description from the publisher's website:

From internationally best-selling author Niccolò Ammaniti, comes a funny, tragic, gut-punch of a novel, charting how an unlikely alliance between two outsiders blows open one family’s secrets. Lorenzo Cumi is a fourteen-year-old misfit. To quell the anxiety of his concerned, socially conscious parents, he tells them he’s been invited on an exclusive ski vacation with the popular kids. On the morning of the trip, Lorenzo demands that his mother drop him off before they arrive at the train station, insisting that his status will be compromised if he shows up accompanied by his mother. Reluctantly, she agrees, and as soon as she is safely out of the vicinity, he turns around and makes his way back to his neighborhood, to put his real plan in motion: for one blessed week, Lorenzo will retreat to a forgotten cellar in his family’s apartment building, where he will live in perfect isolation, keeping the adult world at bay. But when his estranged half-sister, Olivia, shows up in the cellar unexpectedly, his idyll is shattered, and the two become locked in a battle of wills—forced to confront the very demons they are each struggling to escape.


I seem to be on some kind of a European fiction binge right now and I'm quite enjoying it. Just as I did enjoy Me and You. I have to say I'm perplexed as to why it's getting a low rating in Goodreads. Maybe it's just the kind of fiction that doesn't appeal to everyone but when it does get your attention, it possesses it fully.

The main character, Lorenzo, is an introvert through and through and, being one myself, I identified with many feelings and thoughts of his, and most importantly didn't find it all that strange that he had closed himself off for those couple of days, just to be left alone for once. His motives were so very clear to me that I had no problems accepting the whole premise of this novel as perfectly natural. And the appearance of his half-sister, Olivia, only added more sense to the story and made it all the more believable.

Yes, Me and You is a sorrowful and a slightly dark story but because it doesn't have a 'Happily ever after' ending, it's that much closer to real life. And at least in my real life, things don't always have a happy ending, there are sadness and grief and unfulfilled promises to deal with. And it's okay, c'est la vie. And that 'la vie' as portrayed by Niccolo Ammaniti, is not a Disney World one and a lot more precious despite its fallibility.

It is a short novel but it did manage to give me fully developed characters that I couldn't help but be empathetic with. I can easily say that if it were longer (not that it needed to), I would love this pair of imperfect siblings and wouldn't want to part with them. But Me and You is the right length and as such it reminded me of the lessons life teaches us even if we are momentarily blind to them.

FTC: I received an e-galley from the publisher, Grove/ Atlantic, Inc. via NetGalley.

Kristin Lavransdatter by Sigrid Undset, translated by Tiina Nunnally

The book's description written by (because it seems the most accurate and no simple synopsis will suffice) Brad Leithauser in the introduction to the edition translated by Tiina Nunnally:

Kristin Lavransdatter's dense, decade-spanning plot might be summarized as the story of a daddy's girl who refuses daddy's choice of husband and marries for love, with often harrowing long range consequences. Kristin's father wishes her to marry Simon Andresson, an honorable thoughtful, devoted, and woefully unglamorous man. Kristin falls instead for Erlend Nikulausson, a proud, impulsive, fearless young knight who seems constitutionally unable to steer clear of scandal (...)

When you enter Kristin Lavransdatter, you enter a marriage, a contract expansively unfolding through time. Disturbingly, fascinatingly, it's a union of two people who share a proud, combative stubbornnes that ultimately undoes them. (p.XI)

I have so many thoughts about this most wonderful of all epics that I don't know where to start and I am certain that no matter what I write, will it do Kristin Lavransdatter enough justice. I'll write what I can and you decide for yourself whether you want to enter or, should I say, let the world of 14th century Norway enter your life. Sigrid Undset cetainly wrote about the country and the time, and the people in a way that will never let me forget this diamond of a novel.

There really isn't much I can do about it but mostly it's feelings and emotions that come to my mind when thinking of this masterpiece. There's no need to bother my head with proper character development, exceptional historical detail, the flow of the plot, etc. It's all there, yes, all in proper condition as even the most demanding would seek, but that's not what you pay attention to when reading about Kristin, about wild Erlend, about noble, goodhearted Simon, about the beautiful Norway with traditions and culture long gone (although hopefully not forgotten). You, instead, focus on the life itself, its trials and tribulations, tragedies and sadness, intermingled with happiness, joy and miracles it brings.

Kristin Lavransdatter is the ultimate coming-of-age story following the young girl from the days of her sweet, innocent childhood all through the end of her life ravished with sorrows, misfortunes, but also blessed with many good things that were not given to others. Even Kristin herself ruminates later in her life on how she lost sight of all the good things she'd been granted in life, because she could only think about the next tragedy to come along as a result of her wantonness.

If you're looking for the novel of motherhood, look no more. If you want a romance, this is a story that aces all other romances. and finally, if it's historical fiction you're after, you'll find Kristin Lavransdatter to be the one all other HF novels will be judged upon.

Kristin Lavransdatter is the masterpiece of literature. It's sublime. Just the thought that I've already finished it tightens my throat and almost makes me cry (I kid you not). I miss it, I'm nostalgic and I want to go back to it.

A word on translation: Tiina Nunnally is fantastic and she did a beautiful job, showing the full extent of Sigrid Undset's writing genius. For more in depth information, I'm directing you to the article about Nunnally's translation of Kristin Lavransdatter on Norway, the Official Site in the United States.

P.S.
Try to look for it at library sales or other used book's sales sites. Chances are you won't find it. At least I couldn't. And I visit tons of sales. That's because most people who've read Kristin Lavransdatter, do not want to part with it. Ever.

FTC: I bought this book.

The Keeper of Lost Causes by Jussi Adler-Olsen, translated by Lisa Hartford

Rating:

*****

The book's synopsis from the publisher's website:

The Keeper of Lost Causes, the first installment of Adler- Olsen's Department Q series, features the deeply flawed chief detective Carl MØrck, who used to be a good homicide detective-one of Copenhagen's best. Then a bullet almost took his life. Two of his colleagues weren't so lucky, and Carl, who didn't draw his weapon, blames himself.
So a promotion is the last thing Carl expects.
But it all becomes clear when he sees his new office in the basement. Carl's been selected to run Department Q, a new special investigations division that turns out to be a department of one. With a stack of Copenhagen's coldest cases to keep him company, Carl's been put out to pasture. So he's as surprised as anyone when a case actually captures his interest. A missing politician vanished without a trace five years earlier. The world assumes she's dead. His colleagues snicker about the time he's wasting. But Carl may have the last laugh, and redeem himself in the process.
Because she isn't dead . . . yet.

  I really, really enjoyed this crime novel. One of the best I've read (European and otherwise) in a long time. Everything just clicked for me; the pace, the characters, the suspense and the setting worked beautifully and made up for a memorable read in the mysteries department. I absolutely loved Assad, the assistant to Carl, the head of the Department Q (that makes up all of two members of the said department). He is the strongest character in the novel and his interactions with Carl caused me to chuckle quite a few times and helped me enjoy the whole story all the more. 

Call me slow-witted but, contrary to other reviewers, it wasn't obvious to me who the 'perpetrator' was from early on in the novel at all. Which wouldn't have made all that much difference in the end anyway because The Keeper of Lost Causes is a lot more than just a simple 'whodunit' book. I'm very glad it's the beginning of the series and will be jumping on the next installment when it hits American market. 

Let's not forget about the translator, Lisa Hartford. A lot of credit goes to her for doing a wonderful job giving us this Danish crime novel without a blemish and translated it so that an American reader can easily transport him/herself into the world of contemporary Denmark and to the streets of Copenhagen.

FTC: I received an e-galley from the publisher via NetGalley.